[S931.Ebook] Ebook Download Lasers and Lights: Procedures in Cosmetic Dermatology Series (Expert Consult - Online and Print), 3e, by George J Hruza MD, Matthew Avram

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• Sales Rank: #312075 in Books
• Brand: Brand: Saunders
• Published on: 2012-11-20
• Original language: English
• Number of items: 1
• Dimensions: 10.60" h x .60" w x 7.80" l, 1.45 pounds
• Binding: Hardcover
• 156 pages

Features

• Used Book in Good Condition

Review
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Most helpful customer reviews

2 of 2 people found the following review helpful.
Great book!!!
By Dr.Rashad Isayev
This truly expands my knowledge,
great and detailed book. Everyday I use in my private office practice.
I would suggest buying this book.

1 of 1 people found the following review helpful.
Five Stars
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0 of 0 people found the following review helpful.
Five Stars
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Good book!

See all 3 customer reviews...

Lasers and Lights: Procedures in Cosmetic Dermatology Series (Expert Consult - Online and Print), 3e, by George J Hruza MD, Matthew Avram PDF
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Lasers and Lights: Procedures in Cosmetic Dermatology Series (Expert Consult - Online and Print), 3e, by George J Hruza MD, Matthew Avram PDF

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[G579.Ebook] Fee Download The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig, by Elizabeth Lara Wollman

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"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book."
---William Everett, author of The Musical: A Research Guide to Musical Theatre

"As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial practices of the musical stage."
---Theatre Research International

"This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides."
---Studies in Musical Theatre

The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater, and a major cultural export.
�
Despite the genre’s influence and fame, there are still some critics who claim that the term “rock musical” is an oxymoron. The relationship between rock and the musical theater has been stormy from the start, and even the comparatively recent success of Rent has done little to convince theater producers that rock musicals are anything but highly risky ventures. Elizabeth L. Wollman explores the reasons behind these problematic connections and looks at the socioeconomic forces that underlie aesthetic decisions. She weighs the influence on the rock musical by mass media, sound, and recording technology, and the economic pressures that have affected New York theater in general over the past three decades. Finally, Wollman offers a meditation on the state of the musical, its relation to rock, and, ultimately, its future.
�
Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical’s evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!—and in notable flops such as The Capeman.
�
Elizabeth L. Wollman is Assistant Professor of Music at Baruch College of the�City University of New York.

• Sales Rank: #2714495 in Books
• Published on: 2006-11-06
• Original language: English
• Number of items: 1
• Dimensions: .98" h x 6.30" w x 9.18" l,
• Binding: Hardcover
• 288 pages

Review
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book." - William Everett, author of The Musical: A Research Guide to Musical Theatre "This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides." - Studies in Musical Theatre"

About the Author
Ethnomusicologist Elizabeth L. Wollman is a faculty member at the Department of Fine and Performing Arts at Baruch College, City University of New York.

Most helpful customer reviews

10 of 13 people found the following review helpful.
Great book on Modern Musical Theater!
By Bill Crouch
One of the best and most informative books on Musical Theater out there today. In a relatively new field of study, this book pushes the scholarship methodology to a finer level. Combines strong research with on site interviews with the pre-eminent makers of today's rock musicals. Get this book if you are getting a degree, or if you are a professional in the Music Theater industry in a major city in the U.S.A.

2 of 3 people found the following review helpful.
Broadway Never Lost Its Hair
By R F Brown
There does seem to be a common understanding that before the musical Hair there was nothing like Hair and that most of what followed Hair were flop imitations - Dude, Via Galactica, Rainbow. Though Hair became a classic, theatrical producers stopped throwing their money away on rock scores by about 1975. What Elizabeth Wollman's through history brings forward is that Hair's influence in musical theatre can be seen in decades of cultural tug-of-war between keeping rock music's aesthetics authentic and produce musicals that have mass audience appeal. Hair's long beautiful hair grew into Grease, and Les Mis, and Mama Mia but through the use of softer forms of rock music. We don't really recognize how things of changed since Rogers and Hammerstein. Unlike any work I've read on the topic of musical theatre, or even in rock journalism for that matter, Wollman finally provides language for describing the variety of very different kinds of musical theatre that are too often lazily categorized as "rock musicals." For once Hair is rock musical, Jesus Christ Superstar is rock opera and Dreamgirls and Smokey Joe's Cafe are other things too, well categorized here. I have a couple of quibbles. First, I think Wollman doesn't emphasize that much of the failure in those fabulous post-Hair rock flops lies in being rushed to Broadway with big money backers and no existing source material. Most of the truly great shows in musical theatre are drawn from novels, plays or history. At least Hair had the huge benefit of a long and sometimes painful gestation period before finally coming uptown. The big rock flops of the early 1970's were being made-up on the spot. Ironically two of the successful rock musicals from the same period, Your Own Thing and Two Gentleman of Verona were adapted from that rebellious beatnik Shakespeare. Next, Wollman makes frequent reference to off-off Broadway shows like House of Leather and The Legend of Johnny Pot which barely ever opened, meanwhile her research overlooks shows like Promenade (259 performances) and Salvation (239 performances). Finally, between her socio-historical chapters the author includes some short academic meditations on audience attitudes, marketing experiments, and musical aesthetics. These interlude essay are well written they do seem like step children, sections from a different book. If you are seeking musical aesthetics and composition for musical theater, you won't find much here on the specific shows or songs. However this is excellent work on cultural commodification and the economics of Broadway over the last forty years.

0 of 0 people found the following review helpful.
Not bad, but needs an update.
By kjtenorman
Not bad, but it definitely needs an update. This book was released in 2009, but the last musical it covers is Mamma Mia! in 2001 (huh?). A ton of rock musicals have premiered on and off-broadway since then (Spring Awakening, Next to Normal, Once, Bloody Bloody Andrew Jackson, etc.). I appreciate that the author took the time to find some great quotes from individuals who were involved with each musical discussed. However, the author doesn't thoroughly analyze each show, and some of her observations are a little odd and biased. That said, this is a pretty good general rock musical resource (albeit out-of-date).

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[G576.Ebook] Ebook Download Coaching and Mentoring: Theory and Practice, by Robert Garvey, Paul Stokes, David Megginson

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Coaching and mentoring are fast becoming essential aspects of modern managerial practice. And with this growth comes an increasing number of students embarking on mentoring courses. Authors Bob Garvey, Paul Stokes, and David Megginson have provided the first authoritative text with a comprehensive overview and critical grounding in the key concepts, models, and research studies in coaching and mentoring. This is an essential tool by which to gain a critical and contemporary understanding of this field.

• Sales Rank: #2690157 in Books
• Brand: Brand: SAGE Publications Ltd
• Published on: 2008-12-04
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .58" w x 6.69" l, 1.04 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Review
'My own conclusion is that this book provides useful information and highlights significant aspects for consideration. I had anticipated, from the title and the cover, which looks rather like an old-fashioned, home-made book of recipes (fake handwriting font and fake coffee cup stains on it) more of a practical, how-to-do-it book. It is certainly not that. It will, however, appeal to those with an academic interest in coaching or mentoring and to anyone considering a research study (about anything, as the ideas can be applied to much more than coaching and mentoring)' - Julie Hay

About the Author

Bob Garvey is Professor of Business Education at York St John Business School. He works with a range of people, either one-to-one or in groups. He is an EMCC (European Mentoring and Coaching Council) member and formerly the editor of the International Journal of Mentoring and Coaching. Bob is obsessed with coaching and mentoring!

Paul Stokes is a Principal Lecturer at Sheffield Hallam University. He is the Director of Coaching & Mentoring Research Unit within Sheffield Business School as well as leading the Organisational Behaviour & Human Resource Management Subject Group within the Department of Management. He is an experienced coach, mentor and supervisor as well as a designer and evaluator of coaching & mentoring programmes within organisations.

David Megginson is Emeritus Professor of HRD at Sheffield Hallam University. He is co-founder of the former EMC (European Mentoring Centre), an Ambassador for the EMCC (European Mentoring and Coaching Council) and the founder of the Coaching and Mentoring Research Unit. David is a dedicated listener, an experienced coachmentor and obsessive runner.

Most helpful customer reviews

2 of 2 people found the following review helpful.
This book is a mess-content speaking!
By H.M. Frank
My classmates and I complained to our professor about this book. Granted the authors are SMEs, the book is all over the place, and they are mostly referencing works by other authors--which make referencing and citing very difficult. They use different fonts as well depending on what they're referencing. Just a mess in my opinion. As a student, you don't have a choice, but I hope this reference lets you at least know what you're in for.

0 of 2 people found the following review helpful.
Coaching and Mentoring: Theory and Practice
By Dr. J. Bouwer
This is a very needed book in the field and will certainly make a worthy contribution to theory (and practice) of coaching and mentoring in
their march towards a full-grown profession, and I might add, a discipline.

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[Q950.Ebook] Download Ebook Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction, by David Butler

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Jazz has been associated with crime and immorality since early forms of the music were heard in the brothels of New Orleans and the gangster-owned clubs of the 1920s. This association encouraged the use of jazz in film noir, a genre preoccupied with tales of anxiety and urban decay, which flourished in American cinema during the postwar period. Yet, although the extent and nature of this collaboration has often been alluded to, it has rarely been examined in detail. Making significant use of archival sources and documentation, Jazz Noir seeks to correct this oversight, placing the films discussed in their proper historical context and utilizing an interdisciplinary approach that gives equal weight to the films―including such notables as Phantom Lady, I Want to Live!, and Taxi Driver―and to the indelible music that accompanied them.

In so doing, it corrects a great many misunderstandings about this complex, ideologically tinged relationship. Television noirs of the 1950s and 1960s, as well as the cinematic neo-noirs of the 1990s, have used jazz and jazz-flavored music extensively, thus giving rise to the misconception that the genre and the musical style were always intertwined. But as author David Butler reveals, it was only when modern jazz had a number of prominent white exponents that it gained any kind of exposure in Hollywood cinema, and even then such exposure was limited. Nevertheless, the broad range of jazz styles was well suited to the broad range of films noir, and the historical approach Butler takes gives due weight to such considerations. The film noir of the 1940s are as different from the film noir of the 1950s as the jazz of the 1940s is from the jazz of the 1950s, and Jazz Noir provides a unique and valuable study of a rich aesthetic synergy.

• Sales Rank: #3403183 in Books
• Published on: 2002-03-30
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .69" w x 5.98" l, 1.17 pounds
• Binding: Hardcover
• 256 pages

Review
"This is a welcome study of the various conjunctions of jazz and film noir. Butler both sees and hears well, and his cogent descriptions are convincing. He does not just round up the usual suspects but treats a number of films less often discussed by either film or music scholars and critics. He puts his topic in context, discussing racism in Hollywood and the narrowness of Hollywood executives' conceptualization of jazz and jazz musicians. Butler buttresses his work with ample citations of internal studio memos and scholarly references...this is a lovely and informative study, recommended for anyone interested either in film or jazz, from the general reader to the specialist."-CHOICE

?This is a welcome study of the various conjunctions of jazz and film noir. Butler both sees and hears well, and his cogent descriptions are convincing. He does not just round up the usual suspects but treats a number of films less often discussed by either film or music scholars and critics. He puts his topic in context, discussing racism in Hollywood and the narrowness of Hollywood executives' conceptualization of jazz and jazz musicians. Butler buttresses his work with ample citations of internal studio memos and scholarly references...this is a lovely and informative study, recommended for anyone interested either in film or jazz, from the general reader to the specialist.?-CHOICE

About the Author

DAVID BUTLER teaches Film Studies at the University of Manchester in the United Kingdom.

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