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Lost: Cinderella's Secret Witch Diaries, Book 1, by Ron Vitale
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This is the first book in the Cinderella's Secret Witch Diaries series. Lost will captivate listeners who love New Adult fiction and fairy tales. Lost is a perfect match for fans who have enjoyed Stephenie Meyer's Twilight series.
Everyone knows the story of Cinderella and the glass slipper, but what happened to her after she married the Prince? Set in the late 1700s as Napoleon is rising to power, Cinderella embarks on a journey of self-discovery as she tries to come to terms with her new life. Her journey leads her to find her long lost Fairy Godmother and aids her to solve the mystery behind her mother's death. Yet the Fey Lord, the Silver Fox, also takes notice in her, and suddenly her world is turned upside down....
Find out if Cinderella does find her happily ever after in Lost, the dark and intriguing first book in the Cinderella's Secret Witch Diaries series!
- Sales Rank: #108282 in Audible
- Published on: 2015-04-03
- Format: Unabridged
- Original language: English
- Running time: 455 minutes
Most helpful customer reviews
23 of 24 people found the following review helpful.
Creepy, original imagining of the Cinderella myth
By Kcpeyton
The Secret Diaries of Cinderella: Book One, Lost, is an original, heartfelt imagining of what life was like for Cinderella after the prince saved her from her evil stepmother and stepsisters. No longer a "cinder girl," Cinderella finds herself in a not-so-elevated position when, after 4 years of marriage, she has failed to conceive an heir for the royal family. Increasingly sensing that something in her life is not right, Cinderella begins a diary, and thus ensues a journey of painful, and often treacherous, self-discovery.
Like the old fairytales, before modern-day softening, much of what Cinderella experiences on her quest is not necessarily good or happy: a kind yet passive father, a mother whose past is cloaked in darkness and eerie entanglements, a witch who seems most concerned with wielding the power and magic of her old religion, and a fox, whose gradually revealed true nature manifests as a disturbing and terrifying testament of how deeply twisted true love can become.
Cinderella is appropriate for a young adult fantasy fiction audience and more than substantial enough for an adult readership. It may be especially inspiring for young female readers, for its support of female independence, imagination, and fortitude.
Readers of Miss Peregrine's Home for Peculiar Children, The Gemma Doyle Trilogy, and The Dead Father's Club may find this book particularly enjoyable.
26 of 29 people found the following review helpful.
A Whopping Disappointment
By Tabby
When a book turns out to be a disappointment it's hard to continue onward, but in an effort to merit being worthy (to myself) of writing a review I continued through the pages. I'm not going to paint a pretty picture here. Instead I'll say straight up that it was really hard to make myself keeping going beyond the 10% marker (as I read the e-book version) yet I did, and it did not get any better. This story had such potential. Generally I enjoy re-tellings of fairy tales, but this one I found highly unsatisfying.
Perhaps it was the fact that it didn't stick to the rules of a re-telling. Usually when you are doing a re-telling of a fairy tale the goal is to make some changes to make it your own while keeping the general structure and not utterly destroying the tale in itself. This does the latter in every way imaginable. From altering the details of the fairy tale in the first place (we don't get to see this part just the aftermath) to destroying it altogether with the book itself. At which point you begin to wonder why it's even a Cinderella story when the story has enough elements to be something of its own in its entirety.
On top of that something that is a fairy tale is shot into a mix with the real world. Now, at times this isn't so bad to do. . . so long as you do it well. In this instance though it turned out extremely poor, and cheesy, as not only is it added with certain historical elements (at one point, as a small example, they actually mention being in a newly discovered America with a "John" who has visited the shores many times) yet at random intervals tossed into the far future. Out of nowhere you suddenly find yourself just jumping around in a way that is highly unpleasant as there's not much in the way of truly logic explanation beyond the naivete and desperation of this "Cinderella" or the manipulation of the antagonist due to naivete of the main character. Something that still does not change even as the book continues to progress toward the end of the bar. I didn't even get a sense of this as a true change in the end, honestly.
Though alot of this could be attributed to how the story was told. When doing diaries or journals it is important to have consistency; along with a creative way to write them that is more interesting than straight story-telling. The method used here was not entertaining in the least. Some were short, some were long, some came at consistent intervals, some came at random intervals, some were not Cinderella due to magic, and some were just plain not diary entries at all. The last ones were more normal ways to write a story that doesn't consist with a diary entry in the least. When you suddenly have multiple people all writing in her book and her being able to write out stuff that she shouldn't be able to perceive or even know due to a writing view switch while passing it off as diary entries. . . it becomes rather confusing.
As a whole this book would've been far better for the elements of the story had it been written with brief diary entries then the rest in normal third person story-telling and without trying to fit in everything and the kitchen sink (so to speak). It was as though the author wanted to do everything with her by having her in this historical setting with political situations of intrigue and interest; yet at the same time instead does nothing with her. In the moments where she could've grown as a character (the naive, desperate shtick needed dropped earlier in the story) she tucks tail and runs, and again trusts people it's obviously not wise to all due to these same feelings that have been messing up her life for years already. If someone sneezed she ran, if someone made her angry she got all uppity then she ran, if someone betrayed her she got hurt (and let us not forget the pretending like she doesn't betray when she does - repeatedly) then she ran, et cetera. Some of this even came after promising starts to the character growth. It made the story lacking and the character just not important to me. I honestly did not care if she won or lost (lived or died), and I didn't feel bad for her. I honestly would've cared more to hear the story of her lady-in-wait or the Queen or anyone else other than her after a certain point.
In essence, had the character been more interesting and given more growth, the setting given some reins on broadness while also being used (instead of vastly ignored the majority of the time), and the writing style done better it would have turned out to be a better book. Usually I'm far more courteous with reviews, but in an effort to write an honest one I have done so and here it is. You can agree or disagree. I just know that I won't touch this book again, or any others in the series(as from the preview taste I got of the next book it doesn't seem after all the time that passed, and what happened in this book, she hasn't grown as a character), nor recommend the series to anyone.
21 of 23 people found the following review helpful.
Not your Cinderella story
By Jacqueline S. Fleming
Cinderella is not happy. After four years of marriage, her happily ever after has failed. The Prince is a drunk and womanizer. The independence she wished for doesn't match her dreams. The castle is much larger than their humble home and the chores leave her eyes red rather than her hands, but it is still a prison. She tells her tale through her personal journal to her fairy godmother. Magic exists. It brought her from a life of servitude to the Prince, and now she begs her help to escape. As Cinderella's days fall further into despair, her fairy godmother finally answers, but other troubles keep her away. Unhappy, Cinderella goes to the Queen, the true power in their kingdom and requests she be allowed to visit Paris.
The Queen agrees, but on one condition. She must meet with the witch, take her potions, and bear an heir to the crown. She agrees to everything, but can she go through with her promise for the fairy godmother warns her that the queen and the witch mean trickery? Do they really mean her harm rather than just allowing her to disavow the marriage?
Cinderella vacations with her best friend and companion, Clarissa. At Josephine's luxurious mansion, she meets Henri. This is true love. How can she convince the royal family to let her go? Especially when they learn the potions are not necessary. She is pregnant. She has everything to lose. Whom can she trust?
Cinderella's Secret Diary, Book 1 Lost by Ron Vitale is a young adult novel with romance and fantasy elements. It is a stretch of the original storyline and provides the author's interpretation of what happens next. What can possibly go wrong? Although it is well written, I didn't like the storyline. Yes, Cinderella learns how to stand up for herself, but the author didn't do it within the confines of what made this a great story. This wasn't the happily ever after as promised by the original and I felt cheated. This was no Princess Dianna with a mind and energy of her own that I rooted for and still mourn for, but a Brittany Spears who falls into a nervous breakdown of her own making.
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