Kamis, 31 Oktober 2013

[F860.Ebook] PDF Ebook Walt Disney's Mickey Mouse: "Race to Death Valley" (Vol. 1) (Walt Disney's Mickey Mouse), by Floyd Gottfredson

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Walt Disney's Mickey Mouse:

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Walt Disney's Mickey Mouse:

One of the most eagerly-anticipated projects in comics.

Today everyone knows Mickey Mouse as the cheerful ambassador of all things Disney. But back in the 1930s, Mickey gained fame as a rough-and-tumble, two-fisted epic hero ― an adventurous scrapper matching wits with mobsters, kidnappers, spies, and even (gulp!) city slickers! And Mickey’s greatest feats of derring-do took place in his daily comic strip, written and drawn by one of the greatest cartoonists of the 20th century ― Floyd Gottfredson.

For its first quarter-century, Gottfredson’s Mickey Mouse was a rip-roaring serial: the most popular cartoon-based comic of its time, a trendsetting adventure continuity aimed at both kids and grown-ups, and the foundation on which all later Disney comics grew ― including the adventures of Donald Duck and Uncle Scrooge by Gottfredson’s Disney colleague Carl Barks.

Glimpses of Floyd Gottfredson’s masterpiece have been reprinted over the years, most famously in Bill Blackbeard’s classic Smithsonian Collection of Newspaper Comics. But the whole strip has never been comprehensively collected in English ― until now! Fantagraphics Books is proud to bring this classic Disney creation to a 21st century audience in its entirety, starting from the strip’s 1930 launch. Relive Mickey’s race to a gold mine with Pegleg Pete hot on his heels; Mickey’s life on the lam after being framed for bank robbery; even Mickey’s ringside battle with a hulking heavyweight champ! The premiere volume features a dozen different adventures starring Mickey, his gal Minnie and her uncle Mortimer, his pals Horace Horsecollar and Butch, the villainous Pegleg Pete, and the mysterious and shrouded Fox.

Gottfredson’s vibrant visual storytelling has never been more beautifully reproduced; we promise the best reprinting the strip has ever seen, with each daily lovingly restored from Disney’s original negatives and proof sheets. “Death Valley” also includes more than 50 pages of fascinating supplementary features, including rare behind-the-scenes art and vintage publicity material from the first two years of the strip. Critics, scholars, seasoned Disney archivists, and fellow cartoonists provide commentary and historical essays on the strip’s creation and execution.

Walt Disney often said that his studio’s success “all started with a Mouse” ― Walt himself wrote the Mickey Mouse strip before turning it over to the able hands of Gottfredson ― and today Mickey is among the world’s most recognizable icons. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s Mickey Mouse. 260 pages of black-and-white comic strips

  • Sales Rank: #746870 in Books
  • Brand: Fantagraphics
  • Published on: 2011-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.10" w x 10.60" l, 2.36 pounds
  • Binding: Hardcover
  • 288 pages

Review
“Floyd Gottfredson... created an enduring classic and the most fully-formed depiction of Disney’s most important character…. Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care.” (Garrett Martin - Paste)

“Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history…. I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.” (Leonard Maltin)

“It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation and design... [O]ne of the Great Comic Strips Of All Time.” (Patrick Markfort - Articulate Nerd)

“We’ve already seen the gorgeous treatment that Fantagraphics has given to books like Peanuts... so there’s no doubt that Gottfredson’s Mickey Mouse will get the same. Kudos to them for bringing the work of a legendary artist back to today’s readers in a way that will honor his memory and contributions to the medium.” (David Wolkin - Comics Alliance)

“…[I]t’s not just a great Mickey Mouse comic, it’s one of the best comics of all time.” (Chris Sims - Comics Alliance)

“Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit.” (Rafael Gaitan - Comics Bulletin)

“I was astounded to discover that once upon a time, Mickey Mouse comics were really good! And exciting!... Plenty of good background material puts it all in context for the new reader, previously unaware of this strip or Gottfredson’s skill. I haven’t had a better adventure read this year, in sheer 'I don’t want to put this down!' desire to find out what comes next.” (Johanna Draper Carlson - Comics Worth Reading)

“Great lover, scholar, soldier, sailor, singer, toreador, tycoon, jockey, prizefighter, automobile racer, aviator, farmer. Mickey Mouse lives in a world in which space, time, and the law of physics are nil. He can reach inside of a bull’s mouth, pull out his teeth and use them as castanets. He can lead a band or play violin solos; his ingenuity is limitless; he never fails.” (Time Magazine (1931))

“The stories are dense, packing plenty of dialogue into the strips ― and the themes are darker than the bright-eyed, factory-sealed tales of today. Mickey is multi-dimensional in the first volume....� This dynamic look is a revelation in the life of the character who started it all for Disney.” (Alex Carr - Omnivoracious (Amazon.com))

“Can you believe that the tapioca-plain Mickey Mouse was… once a high-spirited adventurer...? He was in the original comic strips... It's one of the classics.” (David Allen - Inland Valley Daily Bulletin)

“...[O]ne could not have asked for a better presentation, with the reproduction about as good as it gets for 80-year-old comic strips, and a veritable plethora of extras.... To sum up, anyone who likes Disney, cartoons, or comic strips will find tons of things to love about this.... A terrific book, highly recommended.” (Sean Gaffney - A Case Suitable for Treatment)

About the Author
Hired as a short-term replacement on the fledgling Mickey Mouse daily strip in 1930, Floyd Gottfredson (1905–1986) went on to draw the feature for the next 45 years. He created the most famous Mickey tales ever told in print. He is a Disney Legend and was inducted into the Will Eisner Award Hall of Fame in 2006.

David Gerstein is a comic book writer/editor and animation historian specializing in the Disney Standard Characters. His books include Mickey and the Gang: Classic Stories in Verse and Walt Disney Treasures―Disney Comics: 70 Years of Innovation. He lives in New York City, NY.

Gary Groth�is the co-founder of�The Comics Journal�and Fantagraphics Books. He lives in Seattle.

Most helpful customer reviews

35 of 37 people found the following review helpful.
Possibly the best comic strip reprint book I have ever seen
By Frank Bergdoll
This is a must-have item for anyone interested in comic strip reprints, Disney history, or just plain good-times!

I am a collector of comic book reprint hardcover material - of which there has been a great number lately. They vary in quality and it really comes down to three things:

1) do you like the character/comic?
2) is the artwork complete, reproduced well, and authentic?
3) are there any value-added materials in the book - such as essays, photos, etc?

If you are reading this review - then I must assume you have some interest in Mickey Mouse and/or Gottfredson's artwork - so #1 is a given.

As for #2 and #3 - wow. Just wow.

This book does an excellent job of printing the material on a nice, heavy, white paper that makes the art look fantastic (and it is fantastic art to start with). The paper is matte, so there is no glare, but it is quality paper that is crisp and doesn't fade or "smudge" the work. It looks wonderful.

As for #3 - this is where this book may be the best comic strip reprint book I've ever seen.

The essays and photos are top-notch and enlightening. I am especially impressed with the short essays introducing each "chapter" or story that the volume holds. You really get context and interest as you embark on the next pages. There is some material that I haven't seen reprinted since "The Censored Mouse" - a very short-lived comic in the 80's (2 issues?). I am glad to see some of that material here - where it can be treated as part of a cultural heritage, in the context of the times it was created with appropriate information and essay explanation.

This book is just rich in material - both reprinted strips and supporting information. I cannot think of a better example of what a strip collection could be. It's fantastic and I look forward to every published volume finding its way into my collection.

17 of 17 people found the following review helpful.
Disney's Biggest Star Gets the Star Treatment
By David Swan
Ah, Mickey Mouse; that vacuous smile, that soulless laugh. His silhouette is literally a corporate logo. When I was young I used to watch Popeye and Warner Brothers cartoons after school because Disney didn't syndicate. Even when Disney started producing new cartoons for syndication in the late 80's Mickey Mouse was always conspicuous by his absence. The Disney Corporations intention may have been to protect their most famous property but in my mind it made Mickey seem snobbish. However in the first three decades of his existence Mickey was extraordinarily accessible in cartoons and the newspaper dailies. The cartoons were fun if a bit repetitive and shallow but the newspaper comics were where Mickey was really given the opportunity to develop as a character and Floyd Gottfredson was the man who made it all happen.

The first storyline featuring Gottfredson's talents was `Mickey Mouse in Death Valley' upon which this book is named. Walt Disney himself wrote the first third of the story and let me just say that Disney may have been a brilliant businessman but as a writer he was lacking. Disney's Mickey seemed to only talk in puns and stale jokes and the story was all over the place. When Gottfredson took over writing he initially emulated Disney and it wasn't until the second story, `Mr. Slicker and the Egg Robbers', that Gottfredson began to find his own style and by the time `Mickey Mouse Boxing Champ' rolled out Gottfredson had made the character his own. He slowed the stories down to a pace more appropriate for a daily comic and his art style improved to the point where it was just off the charts magnificent. Whereas the first story felt hokey, frantic and dated Gottfredson changed the series to feel funny, well paced and edgy. Hard to believe that Mickey could once be described as edgy but for a pipsqueak he could dish out (and take) some punishment. The town bully actually snipped off the end of Mickey's tail and tied his nose in a knot. That's pretty hardcore.

I am a HUGE fan of Elzie Segar's Popeye but the character was never intended as a role model. Mickey on the other hand was a legitimate good guy who was resourceful, brave and big hearted but Gottfredson to his credit didn't make him perfect. When Mickey believes that Minnie is in love with another *ahem* rat he attempts to commit suicide... repeatedly. Mickey is not above using alcohol to get one over on an enemy and even pulls out a pair of pistols in order to motivate the "heavy light weight champ" to train harder. Like Popeye, the early Mickey Mouse was a product of the depression era and lived a simple small town life. From starting a war with the town bully to fighting a local boxing tough guy Mickey's adventures generally kept him close to home and I liked that. With every story I read I enjoyed this book more and more and Gottfredson's art style is some of the most aesthetically pleasing ever to grace a comic strip.

I have yet to purchase a collection from Fantagraphics that wasn't top notch quality and this one is no exception. From the cover to the binding and the additional material on Gottfredson this is a fantastic book and one that will look lovely on a bookshelf. My ONLY issue is that the comics themselves are shrunk a bit and I occasionally had some difficulty reading text. Most of the time it's not an issue and the images look terrific. I can unreservedly recommend this book to fans of comics in general and or fans of Disney. As long as Fantagraphics continues to produce these Mickey comics by Gottfredson I'll continue to purchase them.

14 of 15 people found the following review helpful.
Just Stunning
By Tim Hewitt
I'm really just stunned at the quality of newspaper comic strip reprint collections coming along these days. It seems that all of the publishers have stepped up their game to make these collections the best they can possibly be. Fantagraphics has outdone themselves with "Race to Death Valley." The book itself is a beauty, just the right size without being too large or too small. Some might complain that the strips (3 to a page) are too small, but to my eye they appear just about right, emphasizing Floyd Gottfredson's art to the best advantage (and the reproduction quality is outstanding). The stories are just great, movie serial, pulp style adventures. In addition to the comics themselves, Fantagraphics has again gone one step beyond in providing a wealth of background material, including essays on the genesis of the Mickey Mouse newspaper strip, Floyd Gottfredson, analysis, appreciations and more, with lots of color illustrations from the Disney archives. Each story sequence has it's own introduction, and there's an additional section at the end of the book that reprints the very first sequence of the comic strip (by Disney himself and Ub Iwerks) from just before the arrival of Floyd Gottfredson and "Race to Death Valley." In fact, there's so much background material crammed into this book, I'm not sure Fantagraphics can maintain this level through future volumes (but I hope they can). If you've loved these strips before, this is a collection you'll absolutely want to have on your shelf. If you've never read Mickey Mouse's "Indiana Jones" style adventures before, this is a great opportunity to dive in and see what you've been missing. With Amazon's price, it's beyond a bargain and a worthy addition to the growing library of quality newspaper strip reprints.

See all 17 customer reviews...

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Senin, 28 Oktober 2013

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Ember: A prequel to Firelight (Darkest London), by Kristen Callihan

"Callihan has a great talent for sexual tension and jaw-dropping plots that weave together brilliantly in the end."
--- Diana Gabaldon, New York Times bestselling author

After a fire consumes the Ellis family fortune, the beautiful and resourceful Miranda finds herself faced with an impossible dilemma: enter a life of petty crime or watch her family succumb to poverty. But once her fianc�e learns of her descent into danger--and of the strange, new powers she's discovered --saving her family may come at the high price of her heart.

When Lord Benjamin Archer's one chance for redemption is destroyed by corrupt London antiquarian Hector Ellis, he vows to take what Ellis values most-his daughter Miranda. Forced to hide his face behind masks, Archer travels the world hoping to escape the curse that plagues him so that he can finally claim his prize.

But once Archer returns home to London, will it be revenge he seeks? Or will the flame-haired beauty ignite new, undeniable desires?

Word Count: 21,850 words.

  • Sales Rank: #376108 in eBooks
  • Published on: 2012-02-01
  • Released on: 2012-02-01
  • Format: Kindle eBook

Most helpful customer reviews

53 of 53 people found the following review helpful.
I know it says prequel, but do not read Ember first
By melindeeloo
If you are at all interested in reading Firelight I wouldn't suggest reading Ember first. Even though it is touted as a prequel, Ember reads for the most part like deleted scenes - you know the kind of scenes a good author writes to develop a character's back story, but then religates to the cutting room floor in order to make their finished work stronger. This is especially true for Miranda's part in Ember, her parts just flesh out things that are mentioned in passing for Miranda in Firelight.

While this isn't as much the case for the Archer bits in Ember, there are just too many hints about Archer's condition and his past that would spoil the tantalizing mystery that surrounds him in Firelight. The dream scene between the pair too would also take away from the development of the relationship in Firelight, here it was heavy handed unlike the excellent build up of the sensual tension between them in the full length book. Most of all, the deleted scenes feel of Embers doesn't give the reader a good sense of Callihan's writing in the longer book, and it would be a shame if readers missed reading the excellent Firelight thinking that Ember was a fair representation of what to expect from Callihan.

If you've already read Firelight? Ember is fine. I'll be the first to admit that it was hard to leave Miranda and Archer behind after finishing Firelight, so if you are looking for just a bit more of them (separately) it's worth a look. But really Ember just doesn't 'add' that much more since the power of Firelight was the two of them, Miranda and Archer together, slowly letting their 'masks' slip.

0 of 0 people found the following review helpful.
Great intro to this series!
By Amy Bosica
I'm not always the biggest fan of novellas, but I really enjoyed this one. I was pulled into the story immediately. I loved the world the author has created. I am very intrigued by Archer and Miranda and cannot wait to get my hands on the next book in this series!

0 of 0 people found the following review helpful.
This was really good!
By lololsn
I enjoyed this. Good prequel to the series which I really loved!

See all 63 customer reviews...

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Selasa, 22 Oktober 2013

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Daniel Breazeale presents a critical study of the early philosophy of J.G. Fichte, and the version of the Wissenschaftslehre or 'doctrine of science' that Fichte developed in Jena between 1794 and 1799. The book is intended to assist serious readers in their efforts to understand Fichte's philosophy within the context of its own era and to orient them in the ongoing scholarly debates concerning the character and significance of the Wissenschaftslehre. Breazeale focuses on explaining what Fichte was (and was not) trying to accomplish and precisely how he proposed to accomplish this, as well as upon the difficulties implicit in his project and his often novel strategies for overcoming them. To this end, the volume addresses a variety of specific themes, issues, and problems that will be familiar to any student of Fichte's early writings and which continue to be fiercely debated by his interpreters. These include: the relationship of the finite human self to the purely self-positing I, transcendental philosophy as a 'pragmatic history of the mind', Fichte's 'synthetic' method of philosophizing, the standpoint of life vs. the standpoint of speculation, the extra-philosophical presuppositions and implications of the Wissenschaftslehre, the different senses of 'intellectual intuition' in Fichte's early writings, the controversial doctrine of the 'check' (Anstoss) upon the free actions of the I, the various theoretical and practical tasks of philosophy, the refutation of dogmatism and the 'choice' of a philosophical standpoint, the relationship of transcendental idealism to skepticism, the interests of reason, and the problematic 'primacy of the practical' in Fichte's thought.

  • Sales Rank: #2694683 in Books
  • Published on: 2014-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.40" w x 9.30" l, 1.95 pounds
  • Binding: Hardcover
  • 488 pages

Review

"Thinking Through the Wissenschaftslehre is essential reading for both scholars and advanced students of Fichte. One can hardly appreciate Fichte without seeing his work through the lens of one of his most devoted and reliable interpreters." --Journal of the History of Philosophy


About the Author

Daniel Breazeale, University of Kentucky

Daniel Breazeale was born in Houston, Texas in 1945. After attending Austin College, he earned his PhD in philosophy from Yale University in 1971. Since then he has been a Professor of Philosophy at the University of Kentucky, where is also Distinguished Professor of Arts and Sciences. Breazeale has been a frequent recipient of research grants and fellowships from such sources as the National Endowment for Humanities and the Alexander von Humboldt Foundation. He is a co-founder of the North American Fichte Society and the author of many essays on Fichte, German idealism, and Nietzsche. He is also the translator of numerous volumes of Fichte's writings and the co-editor of a dozen volumes of collected essays on his philosophy.

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Jumat, 18 Oktober 2013

[X128.Ebook] Ebook Download Reinforced Concrete Fundamentals, 5th Edition, by Phil M. Ferguson, John E. Breen, James O. Jirsa

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Reinforced Concrete Fundamentals, 5th Edition, by Phil M. Ferguson, John E. Breen, James O. Jirsa

This Fifth Edition maintains the basic Ferguson approach in which design procedures stem from and provide the basis for a clear understanding of the behavior of reinforced concrete. Behavior of reinforced concrete members and assemblages at every load stage is illustrated with illustrations and photos, and calculation models that relate to the physical behaviors are provided to help students and practitioners recognize and assess various design situations. To avoid confusion, many of the examples now use customary or English units, rather than SI units as in the Fourth Edition. This edition conforms to the technical changes in the '83 and '86 revisions to the ACI Building Code. In this edition, service load analysis of stresses, computuations of deflection and distribution of reinforcement to control crack widths have been incorporated with the sections that treat analysis and design of flexural members. Material relating to seismic design has been revised and expanded, and more emphasis has been placed on developing conceptual models for design.

  • Sales Rank: #624800 in Books
  • Published on: 1988-01-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.45" h x 1.57" w x 6.69" l, 2.28 pounds
  • Binding: Hardcover
  • 768 pages

From the Inside Flap
Through four editions, Phil M. Ferguson’s Reinforced Concrete Fundamentals has become a recognized classic, known for its clarity and thoroughness. There is, in fact, no other reinforced concrete text available as useful for both beginners and experienced designers. Now a fifth edition, reflecting the 1983 and 1986 ACI Code revisions, brings Reinforced Concrete Fundamentals completely up to date while retaining Ferguson’s popular approach. Changes include a return, for most examples, to the use of English units to reflect current practice, reorganization of material for greater clarity, revision and expansion of seismic design-related topics, and an emphasis on conceptual models for design. There are entirely new chapters on design and detailing in the central joint regions, and on shear wall design. In addition, substantial revisions have been made in the basic approach to the design of slender columns in order to emphasize the secondary deflection patterns, and in the treatment of splices, reinforcement development and hooks in order to reflect the basic behavior and failure patterns rather than just arbitrary code rules. The coverage of seismic design, interaction curves for eccentrically loaded columns, and direct design procedures for two-way slabs has been revised as well. As in previous editions, Reinforced Concrete Fundamentals imparts a clear understanding of the behavior of reinforced concrete members and assemblages with an emphasis on the "flow" of the design process. Throughout, behavior at all load stages is illustrated by figures and photos. A set of working appendices delivers a summary treatment of service load analysis for flexure, and design tables and curves. Maintaining the high standards of its popular predecessors, Reinforced Concrete Fundamentals, Fifth Edition makes up an ideal reference, refresher, and desktop resource for civil engineers needing a clear, modern approach to concrete design.

From the Back Cover
Design of Prestressed Concrete Second Edition Arthur H. Nilson This revision of a popular text discusses the behavior, analysis, and design of prestressed concrete structures. Changes in the new edition include a new emphasis on partially prestressed concrete members, flexural strength calculations, deflection calculations, and crack width calculations, along with new information on high-strength materials and more. 1987 (0 471-83072-0) 592 pp. Design of Prestressed Concrete Structures Third Edition Tung Yed Lin and Ned H. Burns Lin and Burns develop the basic ideas of prestressed concrete by joining the fundamentals of material mechanics with high-quality materials (steel and concrete). Analysis and design are stressed in this fully updated third edition which incorporates the latest theoretical and experimental research. Basic principles are illustrated by a wealth of short numerical problems—a feature that has ensured the continuing popularity of this bestseller. 1981 (0 471-01898-8) 646 pp.

About the Author
About the authors The late Phil M. Ferguson was The T. U. Taylor Professor of Civil Engineering at the University of Texas at Austin. He was the sole author of the previous four editions of Reinforced Concrete Fundamentals. John E. Breen holds the Nasser I. Al-Rashid Chair in Civil Engineering at the University of Texas at Austin, where he was Director of the Phil M. Ferguson Structural Engineering Laboratory from 1967-85. He received his PhD at the same institution in 1962. James O. Jirsa is The Phil M. Ferguson Professor in Civil Engineering at the University of Texas at Austin and Director of the Phil M. Ferguson Structural Engineering Laboratory. He received his PhD from the University of Illinois in 1963.

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[U257.Ebook] Free Ebook Improvisation: Methods and Techniques for Music Therapy Clinicians, Educators, and Students (Book and CD) [Paperback] [2004] Tony Wigram

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  • Sales Rank: #3542670 in Books
  • Published on: 2003-06-01
  • Binding: Paperback

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Jumat, 04 Oktober 2013

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  • Sales Rank: #603270 in Books
  • Brand: Brand: Acres U.S.A.
  • Published on: 1995-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.00" w x .50" l, .63 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

About the Author
Dr. Philip S. Callahan is a philosopher as well as a top-grade scientist. An internationally famous entomologist and ornithologist, he has been responsible for breakthrough discoveries in both areas.

He is also an explorer who has walked across mainland China and the Syrian Desert, observing the intricate ways of man and nature wherever he went.

He entered the U.S. Army Air Force in 1942, and served two years in the European Theater of Operations during World War II. Hiking around the world after he war, he worked as a freelance photographer and writer. Later, he attended Fordham University and received his B.A. and M.S. degrees from the University of Arkansas and his Ph.D. from Kansas State University. He served as assistant professor of the Entomology Department at Louisiana State University and later joined the U.S. Department of Agriculture, Southern Grain Insects Research Laboratory as Project Leader for Insect Biophysics. He was also Professor of Entomology on the graduate faculty of the University of Georgia. In 1969 he transferred to USDA Insect Attractant and Behavior Laboratory at Gainesville, Florida. Callahan served as a full professor on the graduate faculty of the University of Florida, and on the staff of The Olive W. Garvey Center for the Improvement of Human Functioning, Inc. as an infrared systems and low energy consultant.

His research involved the utilization of nonlinear far infrared radiation by biological systems and its applications to insect control and medicine. He has developed theories of insect communication based on the waveguide characteristics of insect spines and has postulated that such spines are thermoelectret-coated dielectric waveguide aerials with the ability to receive short wavelength IR and microwave frequencies. His work in biophysics might best be called studies in insect molecular bioelectronics.

He is the author of more than 100 scientific papers and numerous books, including: My Search for Traces of God; A Walk in the Sun; Nature's Silent Music; Ancient Mysteries, Modern Visions; and Tuning in to Nature.

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NO practical or useful information
By Nancy
I bought this book because I am a gardener and am always interested in new, possibly useful ways to garden better. I believe in the role of energy and frequencies in enhancing health, so I was hoping to find something useful to add to my knowledge. Unfortunately, there is NONE in this book, in spite of the author believing it will "save the world's agriculture". He has proven through his experiments that energies exist. He has created a $400 meter to measure them (which obviously is much better than the existing $4,000 meters for the average gardener or farmer). He says these energies exist in SOME rocks, particularly volcanic ones, but that they vary significantly based on the origin of the rock, so you can't just buy granite dust or Azomite or whatever and put it on your garden and expect results. He says that 60-70% of the world's agricultural land is deficient in this energy, which is required to release the nutrients in the soil. But most of the book is about how he discovered and measures these energies, pretty much Greek if you don't understand radio waves, etc. I kept waiting for his conclusions or recipe or recommendations about how to use this information, but it never came.

I think Dr. Callahan is/was a fascinating person and that he probably made a major contribution by trying to reconnect chemistry, physics and biology as they relate to agriculture. But as a gardener, I found this book to be totally useless.

3 of 3 people found the following review helpful.
great book by a brilliant man
By Jack
If you have never read Philip Callahan you are missing out on the most brilliant insight of earth and insects availabke. Phip Callahan is the modern day Thomas Edison. Also, read his book, Tuning into Nature. It will change the way you view your world.

46 of 60 people found the following review helpful.
Practical Application.
By GreenGold@Technologist.com
Green Gold has integrated the Callahan Recognitions with homeopathy, nutrition, and paramagnetic growing into a total approach to Houseplants, Gardening, Horticulture & Agriculture. We highly recommend buying this book, a small Green Gold houseplant formula, and watch this amazing book in action in your own home. Dr. Callahan's work is used extensively in sustainable natural growing circles. These principles have been used in China for milleniums and are know there as the Yen & the Yang and the Chi of Growing. The medical and agricultural applications are a major breakthrough and just waiting for global debut.

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