[P752.Ebook] Ebook Download Practical Sampling Techniques, Second Edition (Statistics: A Series of Textbooks and Monographs), by Ranjan K. Som

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Second Edition offers a comprehensive presentation of scientific sampling principles and shows how to design a sample survey and analyze the resulting data. Demonstrates the validity of theorems and statements without resorting to detailed proofs.

• Sales Rank: #5405114 in Books
• Published on: 1995-09-13
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x 1.25" l, 2.63 pounds
• Binding: Hardcover
• 670 pages

Review
Praise for the First Edition. . . Undoubtedly, the reader of this book will gain theoretical and practical insight into the problems of inference in finite populations.
---Journal of American Statistical Association
. . .The close link between theoretical and applied sections is the unique characteristic of the book which should appeal to many users of sampling methods. . .attractive to students for whom the author consciously caters.
---Royal Statistical Society Journal. Series A: Statistics in Society
. . .gives a comprehensive survey of sampling techniques, well illustrated with numerous examples drawn from social, demographic and cultural situations across the world. . . .the mixture of theory and practice, systematically developed, is a very good one that will surely appeal to many readers.
---International Statistics Review

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[Z359.Ebook] Ebook Free TM 38-301-1, US Army, Technical Manual, JOINT OIL ANALYSIS PROGRAM MANUAL, VOLUME I, INTRODUCTION, THEORY, BENEFITS, CUSTOMER SAMPLING PROC

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1-1. Purpose. The Joint Oil Analysis Program (JOAP) was established by the Joint Army, Navy and Air Force
regulation as a combined effort to establish and maintain a standard program that would consolidate and coordinate
the three separate service oil analysis programs. The purpose of Volume I is to clarify the use of oil analysis as a
diagnostic maintenance tool, to standardize JOAP operating procedures and to provide general guidance for JOAP
managers and customers in accordance with the Tri-Service Regulation (AFI21-131(I)/AR700-132/OPNAVINST
4731.1B). Specific JOAP Laboratory operating procedures and guidance are contained in Volume II. The JOAP
equipment wear-metal criteria listings which contain trend tables and decision making guidance for laboratory use in
evaluating oil sample analysis results and determining actions required are contained in Volumes III and IV for
aeronautical and non-aeronautical equipment, respectively.

• Sales Rank: #3060326 in eBooks
• Published on: 2010-01-04
• Released on: 2010-01-04
• Format: Kindle eBook

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[P968.Ebook] PDF Download First Initiation Into Carthusian Life, by Carthusian

PDF Download First Initiation Into Carthusian Life, by Carthusian

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Carthusian spirituality and wisdom have a great attraction for our age. The goal of Carthusian life is union with God in Love. A union as profound and continual as is possible in this life. It has its source in God who is the first to call us to intimacy with Him. The Carthusian's life, the Carthusian's love, is a response to that Love - cultivating solitude, silence, poverty, chastity, obedience, fraternal charity, spiritual reading, study, work and, above all, prayer. Prayer of adoration, praise and intercession. This book is written as a guide to help the beginner during his first months in the Charterhouse. It is a practical introduction for the aspirant to the Carthusian life, providing guidelines of orientation to help during the first steps in solitude as well as essential themes of spiritual formation. Following the young monk, listening in complete openness to God who speaks in the depth of his heart, the reader outside the monastery can gain an insight into this powerful spirituality and the silence of a heart in love. Other books of classic Carthusian spirituality published by Gracewing include The Call of Silent Love, Early Carthusian Writings, Interior Prayer, The Prayer of Love and Silence, They Speak by Silences, The Way of Silent Love and The Wound of Love.

• Sales Rank: #752956 in Books
• Brand: Brand: Gracewing Publishing
• Published on: 2010-02-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .28" w x 5.51" l, .35 pounds
• Binding: Paperback
• 120 pages

Features

• Used Book in Good Condition

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12 of 12 people found the following review helpful.
Fascinating look into Carthusian life
By Peter Stanton
First off, it should be noted that this book really isn't something everyone will be interested in. It's not a popular overview of the Carthusian Order, or an in-depth examination of their spirituality. It is written, first and foremost, as a guidebook apparently for vocational retreatants and postulants in a Charterhouse.

It is a fairly short volume, but it has an overview of monasticism at the beginning before diving into the truly interesting part: an introduction to Carthusian spirituality and interior prayer. It is fascinating and mystical, and much credit is due to the publishers for making this rare glimpse into the interior life of a Carthusian Charterhouse available to us.

The final few chapters of the volume deal with the more mundane but no less fascinating practical details of life in a Charterhouse, explaining to the postulant the rules and guidelines of everyday life, such as how laundry is handled, or requests for repairs in a cell are made, and the basic rubrics of the Carthusian liturgy in chapel. Much of this carries the disclaimer that it will be explained in full by the Novice Master, but it is no less intriguing.

All in all, a great read for anyone interested in the Carthusian Order, their spirituality, and the practical details of their daily lives.

12 of 12 people found the following review helpful.
Fascinating!
By L.S.L.N.
This informative little book is about what it takes to become a monk "Marine." Their austere life and the difficult schedule they live by makes them able to withstand martyrdom that would quail the heart of anyone less well trained or less devoted to finding and loving God.

15 of 16 people found the following review helpful.
Not for everyone
By Leopoldo Uribe
This book makes clear what the carthusians are looking for when they follow this road. First, you must believe in God. Then you must love Him truly. He must be what you want in this life. And then you must be sure that you are going to persevere until you achieve your goal.

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[J555.Ebook] PDF Ebook A Guide to Hopi Katsina Dolls, by Kent McManis

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Hopi katsinam and the dolls that represent them have fascinated Indian arts trader and author Kent McManis since he was a little boy. In A Guide to Hopi Katsina Dolls, McManis shows how the eternal spirit of the katsinam manifests itself in the works of some of the most skilled and inspired Hopi carvers working today.

For the Hopi-a communal farming people who reside in stone and adobe villages on and near three Mesas in northeastern Arizona-everything in life is imbued with the sacred. The Hopi attribute their very survival as a people to the katsinam, inhabitants of the spiritual realm who convey prayers to the gods and respond with blessings in the form of rain, bountiful harvests, and plentiful game.

In A Guide to Hopi Katsina Dolls, more than seventy of the most prominent and intriguing katsinam who appear during the Hopi ceremonial year are described and depicted in full color photographs of both contemporary and historic katsina dolls.

• Sales Rank: #605223 in Books
• Brand: Brand: Rio Nuevo Publishers
• Published on: 2000-09
• Original language: English
• Number of items: 1
• Dimensions: .20" h x 6.01" w x 9.03" l, .35 pounds
• Binding: Paperback
• 56 pages

Features

• Used Book in Good Condition

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34 of 35 people found the following review helpful.
A Valuable Resource
By A Customer
If you have an interest in Hopi katsina dolls, this is the right book at a price everyone can afford. Having been in contact with the author several months prior to the book's publication, it was eagerly anticipated. The finished product does not disappoint. As a collector, judge at several major juried shows and owner of a Native American Trading Company, Kent McManis knows his stuff! I have only one complaint ... I wish the book were at least twice it's size. At 56 pages, I hope the author will consider another book on the subject as he had with Zuni fetishes. This is the first book I have discovered which traces the katsina cycle and includes the corresponding doll on the page where it is discussed. This aspect alone makes the book a "keeper". Robin Stancliff is to be commended for 70 beautiful photographs of both contemporary / action pieces and historic / traditional katsinam as well. If you have never seen the work of modern masters like Brian and Ronald Honyouti, Cecil Calnimptewa, Ros George, Loren Phillips and Dennis Tewa ... add this book to your library. Thank you, Mr McManis, for sharing such a valuable resource with your readers.

2 of 2 people found the following review helpful.
A Precious Glimpse
By Ann B. Keller
This little book is a precious glimpse into Hopi religious life. From the very beginning, the reader is indoctrinated into the difference between kachina and katsina dolls and is educated about the important role katsina dolls played in every day Hopi life.

The Hopi are a peaceful, communal farming people, who live in adobe and stone villages in northeastern Arizona. The land is high desert with scant rain and a short growing season. So, the Hopi are to be commended for their great skill in managing to bring in crops of corn, beans, and squash in such an environment.

Examples of katsina dolls have been carved into stone as early as the 1100s and wooden figures appeared shortly after that. The arrival of Pedro de Tovar, an adjutant of Coronado in 1540, brought the Hopi into contact with Spanish explorers. Franciscan friars came in their wake about 80 years later and attempted to force the Hopi to abandon their "pagan" ways. Unfortunately, these zealous religious men destroyed many katsina shrines and religious artifacts. Outraged, the Hopi revolted. Spain tried to regain control of the native peoples into the eighteenth century, when the Spanish finally gave up on their quest.

American newcomers first entered Hopi lands in about 1830, unfortunately bringing with them smallpox. Some of the Hopi fled to Zuni, bringing some of the Zuni katsina back with them once the epidemic was over.

Americans cherished the katsina dolls and a hearty trade of these religious artifacts began in the late nineteenth century. Although many Hopi later adopted Christianity, their determination to preserve Hopi culture and tradition remains a struggle.

The katsina are "Cloud people" because they may take cloud form and are the spiritual portrayal of Hopi ancestors. Many Hopi girls are raised with a Hahay' iwuuti or katsina mother in their cradles and the moon katsina helps to set the time for ceremonies to begin. The Water Serpent katsina, with his cone-shaped ears and colorful features, is a rare guest at plaza dances.

Some katsina have no religious significance at all. The Homichi or Field Mouse, for example, is the embodiment of a Hopi folk tale about a mouse who defeated a prairie falcon.

The Hopi year begins in November, when secret rites are performed ushering in the new year. The solstice katsina returns to the village in late December, haltingly proceeding through the village while blessing sacred places. Social dances are held in January and the Bean Dance in February.

Katsina dolls are usually made from the roots of cottonwood trees and it takes a real expert to free the katsina buried inside the wood. Carvers may travel hundreds of miles, searching for the perfect carving material. Katsina doll collectors may appreciate such workmanship, but care must also be taken to understand the religious tradition and significance upon which these dolls are based. Only then can the true voice of the katsina be heard.

1 of 1 people found the following review helpful.
A Guide ti Hopi Katsina Dolls
By Kachina Image
This little book is a perfect introduction. Excellant illustrations and simple direct text. I use it everyday as a reference and enjoy the beauty of the images.

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[D159.Ebook] Ebook Poised For Partnership: From senior associate and senior manager to partner

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Making the transition from senior employee to partner in a professional services firm is the hardest career move you will ever make.

This book explains how others did it and how you can too.

If you buy this book you'll learn:
1) Tried and tested strategies to successfully make it through partner track and the partnership admissions process to partner
2) How to create a cast-iron Business Case and Personal Case for partnership, even if you don't have any previous experience of selling services
3) How to pace yourself so you don't get burnt out on the gruelling final steps to partnership
4) How to find enough time to start to consistently win your own work, even if your billable time targets are sky high

“Having made the somewhat daunting move from in house back to private practice with the primary aim of achieving partner, I am so grateful that I have found Heather Townsend and her books. This easy-to-read book has given me a clear structure upon which I can step up to the challenge, and with greater confidence than I might otherwise have had.”
Jonathan More, Senior Associate

"If making partner feels like a long, winding and challenging journey, this book will be your SatNav, navigating you successfully to your destination. This book is brilliant and I would highly recommend it"
Dev Modi, Managing Director at Omega Academy

"I’ve coached a large number of partner potentials (hundreds!) and this action-orientated and practical book brilliantly captures all the things that are crucial to making it to partner. I can’t recommend it more highly!"
John Moss, JA Consulting

• Sales Rank: #182144 in eBooks
• Published on: 2015-06-30
• Released on: 2015-06-30
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
The right book to read after 10 years in the consulting industry and wanting to go for partner
By Brad Revell
Poised for partnership is a detailed how-to book on transitioning from a senior member of a firm or consultancy to the partner level. The planning and time frame is quite extensive and Townsend outlines the strategy, the development of plans and how to engage the right people in order to be successful.

Throughout the book there are many quotes, tips, points, actions and resources on what to do and how to do it. The book is very practical and includes additional resources that you can utilise as part of your journey to partner. For example a Career Kit Bag and Partner Track Self-Assessment Tool is referred to via a URL

Townsand quotes in the book that only 2% of people make it to partner in the Big 4 world. Therefore leveraging a book of this calibre provides you with a significant competitive advantage.

Three key takeaways from the book:
1. Find your niche and ensure your passionate, credible and fit for that area
2. Planning is critical and there are a number of areas that require planning (e.g. personal marketing, internal PR, personal development, team development)
3. To make time, create a 'Default' calendar and put permanent entries into your schedule in order to keep making progress on your goal of making partner.

0 of 0 people found the following review helpful.
Critical reading for those pursuing a partner track
By O.P.
This is a great book which I recommend to anyone serious about making partner in a Big 4 firm. The process of going from individual executor and fee earner with high chargeable targets to sourcing and executing your own client portfolio isn't always easy or transparent. This book gives practical, honest advice about how to go about making this transition.

0 of 0 people found the following review helpful.
Brilliant Book
By Duncan Brodie
[[VIDEOID:4a6fc602cadc933236a4c8ab886021a2]] Excellent book and a must read for anyone who is looking to make it to partner in a professional services firm

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[I355.Ebook] Free Ebook Who Fears Death, by Nnedi Okorafor

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An award-winning literary author enters the world of magical realism with her World Fantasy Award-winning novel of a remarkable woman in post-apocalyptic Africa. 

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means "Who fears death?" in an ancient language.

It doesn't take long for Onye to understand that she is physically and socially marked by the circumstances of her conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by her community. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer and to understand her own nature, she embarks on a journey in which she grapples with nature, tradition, history, true love, and the spiritual mysteries of her culture, and ultimately learns why she was given the name she bears: Who Fears Death.

• Sales Rank: #1047 in Books
• Published on: 2011-06-07
• Released on: 2011-06-07
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .80" w x 6.10" l, .84 pounds
• Binding: Paperback
• 400 pages

Amazon.com Review
An Origin Story Nnedi Okorafor is a writer of Nigerian descent known for weaving African culture into creative evocative settings and memorable characters. She is know for her young adult novels, including The Shadow Speaker and Zahrah the Windseeker. “My life fell apart when I was sixteen. Papa died.” Those are the opening lines of Who Fears Death. I remember when I wrote them. I was thinking of Chinua Achebe’s Things Fall Apart. I was thinking of change, cultural shift, chaos. Okonkwo’s death. And my own father’s very recent death. Yeah, all that in those two lines. In more ways than one, the opening scene of Who Fears Death, titled “My Father’s Face”, was the beginning of it all. Originally, it was not the beginning of the novel. This scene takes place well into the story when my main character Onyesonwu is sixteen and has been through so much. The original beginning was when Onyesonwu was five years old and happy, living with her mother in the desert. Nevertheless, “My Father’s Face” was the first scene I wrote. Though my stories tend to be mostly linear, I’m a non-linear writer. I’ll write the middle, then the ending, then the beginning and kind of jump around until I’m done. Then I’ll tie all the scenes together and neaten it up. Nevertheless, when Who Fears Death was all said and done, I wasn’t surprised that “My Father’s Face” turned out to be the beginning of the actual book. I started writing Who Fears Death just after my father passed in 2004. I was very very close to my father and writing was my way of staying sane. I based “My Father’s Face” on a moment I experienced at my father’s wake when everyone had cleared out of the room and I found myself alone with his body. I was kneeling there looking at his face, thinking how much it no longer looked like him and how terrible that was. My morbid thoughts were driving me into deeper despair. Then suddenly I felt an energy move though me. This energy felt highly destructive, as if it could bring down the entire building. Almost all the details in the scene I went on to write were true, I felt them…well, up to the part where Onyesonwu makes her father’s body breath. As soon as I wrote that scene, everything else rushed at me. My father’s passing caused me to think about death, fear, the unknown, sacrifice, destiny and cosmic trickery. Only a week or so after my father’s passing, I read the Washington Post article, We Want to Make a Light Baby: Arab Militiamen in Sudan Said to Use Rape as Weapon of Ethnic Cleansing by Emily Wax. I was absolutely infuriated. The storytelling spider in my head started weaving faster. I realized that this article was showing me why the people in my story’s town disliked Onyesonwu and why she was so troubled. My mother, my sister Ifeoma and my brother Emezie flew with my father’s body back to Nigeria for his burial. When they returned, I learned through my siblings about the way widows were treated within Igbo custom, even the ones with PhDs…like my mother. I was again infuriated. And I was reminded yet again of why I was a feminist. A year later, I went to Nigeria for the one-year memorial where I met my cousin Chinyere’s fiancé Chidi. His last name was Onyesonwu. I was intrigued. I knew “onye” meant “who” and “onwu” meant death. I wondered if it was an ogbanje name (these named often have the word “death” in them). I’d always been interested in the concept of the ogbanje. Amongst the Igbos, back in the day, girls who were believed to be ogbanjes were often circumcised (a.k.a. genital mutilated) as a way to cure their evil ogbanje tendencies. I asked my cousin’s fiancé what his name meant (I thought it would be rude to ask if it was an ogbanje name. Plus it was his last name, not his first.). He said it meant, “Who fears death.” That night, I changed my character’s name and the title of the story. When I did that, it was as if the novel snapped into focus. During that trip, I touched my father’s grave. I heard stories about the Biafran War and arguments about how what happened during this civil war was indeed the genocide of the Igbo people. I saw death on the highway and thanked the Powers That Be that my daughter (who was some months over one year old) was asleep. I got to watch the women in my father’s village sing all night in remembrance of my father. My maternal grandmother, mother, daughter and I were all in the same room at the same time- four generations. My sister Ngozi and I visited the lagoon that seemed so huge when we were kids but was really quite small. It was populated by hundreds and hundreds of colorful butterflies. I wrote, conceived and incubated parts of Who Fears Death while in my father’s village, sometimes scribbling notes while sitting in the shade on the steps outside or by flashlight when the lights went out. I wrote notes on the plane ride home, too. When I think back to those times, I was in such a strange state of mind. My default demeanor is happy. I think during those times I was as close to sad as I could get. When I got back to the States, I kept right on writing. Who Fears Death was a tidal wave and hurricane combined. It consumed all of my creativity and sucked in all the issues I was dealing with and dwelling on. It mixed with my rage and grief and my natural furious optimism. Yet when it came to writing the story, I was more the recorder than the writer. I never knew what was going to happen until my character told me and my hands typed it. When I finished Who Fears Death, it was seven hundred pages long. A Book 1 and a Book 2. Don Maass (my agent) felt this size was too great and suggested that I pare it down. This process took me another two years. One of my favorite quotes is from one of my greatest idols, Nigeria’s great writer and Nobel Laureate Wole Soyinka: “A tiger does not proclaim its tigritude. It pounces.” This tiger of a story definitely pounced on me without proclamation or warning. I’m glad I was ready for it. --Nnedi Okorafor

From Publishers Weekly
Starred Review. Well-known for young adult novels (The Shadow Speaks; Zahrah the Windseeker), Okorafor sets this emotionally fraught tale in postapocalyptic Saharan Africa. The young sorceress Onyesonwu—whose name means Who fears death?—was born Ewu, bearing a mixture of her mother's features and those of the man who raped her mother and left her for dead in the desert. As Onyesonwu grows into her powers, it becomes clear that her fate is mingled with the fate of her people, the oppressed Okeke, and that to achieve her destiny, she must die. Okorafor examines a host of evils in her chillingly realistic tale—gender and racial inequality share top billing, along with female genital mutilation and complacency in the face of destructive tradition—and winds these disparate concepts together into a fantastical, magical blend of grand storytelling. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Who Fears Death:

"Haunting and absolutely brilliant. My heart and guts are all turned inside out." —John Green, New York Times-bestselling author of The Fault in Our Stars

"Who Fears Death is one of the most striking, chilling, truly fascinating, and all-around remarkable novels I've read in a very long time.” —Peter S. Beagle, bestselling author of The Last Unicorn

"Nnedi Okorafor is American-born but her Nigerian blood runs strong, lacing her work with fantasy, magic and true African reality. Many people need to read Who Fears Death, it's an important book." —Nawal El Saadawi, bestselling author of Woman at Point Zero

"To compare author Nnedi Okorafor to the late Octavia E. Butler would be easy to do, but this simple comparison should not detract from Okorafor’s unique storytelling gift." —New York Journal of Books

"Both wondrously magical and terribly realistic." —The Washington Post

"Believable, nuanced characters of color and an unbiased view of an Africa full of technology, mysticism, culture clashes and true love." —Ebony Magazine (editor's pick)

"A fantastical, magical blend of grand storytelling." —Publishers Weekly (starred review)

"Beautifully written, this is dystopian fantasy at its very best. Expertly exploring issues of race, gender, and cultural identity, Okorafor blends future fantasy with the rhythm and feel of African storytelling. " —Library Journal (starred review)

"Her pacing is tight. Her expository sections sing like poetry. Descriptions of paranormal people and battles are disturbingly vivid and palpable. But most crucial to the book's success is how the author slowly transforms Onye's pursuit of her rapist father from a personal vendetta to a struggle to transform the social systems that created him." —The Village Voice

"Okorafor is a master storyteller who combines recent history, fantasy, tradition, advanced technology, and culture into something wonderful and new that should not be missed." —RT Book Review (top pick)

Most helpful customer reviews

6 of 6 people found the following review helpful.
Emotionally draining as it should be.
By Brent Lambert
The most powerful thing about this book was that it left me depleted. I was emotionally and mentally depleted after reading this book. Two days I spent enthralled in the story and by the end of it I was completely drained. That is a good thing. Powerful stories demand something of you. You don’t just get to walk into that world and come out the same. A good story should leave its mark on you, make you pay a price for reading it. That’s what this book did to me. It took me in and didn’t let me leave until it was done with me.

There were so many issues that this novel tackled. It deal with colorism, ethnic identity, rape, sexism, religion. And there are some readers out there who’re not able to handle this many issues getting thrown at them at once. They want something simpler to devour. I think that’s the case because often the people saying this don’t understand intersectional identities or even want to grasp the concept of it. Every character in this book is a crossroads of problems and issues. To me, their depth comes from the fact that they’re not just defined by one problem. They have many problems, many societal obstacles to deal. That is part of the richness of this book.

Rape is largely at the center of this story and make no mistake, it is no glorification or justification of it. This tackles it head on, brutally and unapologetically as such a subject should be. The descriptions and violence honestly made me cringe and I’ve never been a victim of such a brutal act. The images contained within this novel are so powerful that I wonder if it would actually trigger something in a rape survivor. I don’t know. I just know that what I read was violent, bloody and held back on no details. And the consequences of rape (side note: how despicable is it that we have consequences for a victim?) are laid out in this book with a harsh, revealing light.

The rape that sort of propels the story forward is the tragic sexual attack on Najeeba. She is a beautiful Okeke (an ethnic group I’ll talk more about later) woman and is seemingly living a simple life. One day her village is attacked by a group of Nuru (the other main ethnic group) and Najeeba is viciously raped. It’s a tough scene to read and I can only imagine it being a tough scene to write. It’s one of those scenes where you have to take a break and get a glass of water after you’re done. I can’t speak for the author, but man this must have been an emotionally draining scene to write just because of how brutal it is. Najeeba’s bastard attacker has the nerve to sing, to damn SING as he’s brutalizing a woman. I don’t know why but that particular detail just raises such anger in me. Najeeba manages to survive her rape, but she is rejected by her cowardly husband so she leaves home.

Now about these ethnic groups. Okeke and Nuru in the simplest of terms are dark-skinned and light-skinned, slave and slave master. The relationship is definitely one based on colorism, but it also has its roots in some of the justification used to enslave Africans in America. In this post-apocalyptic world there is The Great Book, the religious text that everyone draws their social mores from. In this book, it is basically outlined that Okeke are shameful and deserve to be slaves of the Nuru. Sound familiar? The same kind of justification was used by whites to enslave blacks when they referred to us as descendants of Cain, the first murderer. Religion was used to enslave it and it is used in this story to enslave the Okeke. This book is used to justify the mistreatment, rape and murder of the Okeke people, driving many of them to the East where they live as exiles.

This brings me to the main character, Onyesonwu, the daughter of Najeeba. She is neither Okeke nor Nuru. Because of her mixed blood and the circumstances of her birth she is called an Ewu. It is believed that the child of a violent rape is doomed to live a life of violence themselves. I think this is a statement on the danger of eugenics because how many articles are we starting to see pop up now that are trying to link personality traits and behavior to genetics? It’s a slippery slope and if we’re not careful we could be making our own Ewus in society.

So you can’t help but to feel bad for Onyesonwu. She’s getting it from all angles. Of course she deals with ridicule as being the child of a rape and all the stereotypes that come with that. Internally, she’s dealing with issues of wondering if she’s anything like her Father. She has to deal with being thought of as romantically unattractive and as just lest aesthetically pleasing to the Okeke people she lives amongst. To top it all off, she’s a strong-willed woman living in a society where women are regarded as less than. I think the deeper part of all of it, is that her very existence serves as a reminder of the violence and torture that the Eastern Okeke have tried to put out their minds. She’s a constant reminder of the brethren they have abandoned. It’s so true that the things we hate are often because they remind us of something ugly in ourselves.

I don’t want to give too much away, but Onyesonwu’s journey reminds me very much of the character of Aaang in some ways. The group of friends she gathers and the journey she embarks really does ultimately change the world she’s operating in. If a love of Airbender isn’t enough to get you to pick up this book it’s a post-apocalyptic African fantasy. Those three words alone should spike your interest. Ultimately, this is a book that tackles powerful topics that are so relevant to today’s world. Like I said, I walked away from this story depleted and I think that’s because even as I was whisked away to another world I was forced to still think about my own.

This and other reviews can be found at: https://www.facebook.com/rrapmag

8 of 9 people found the following review helpful.
Not your average fantasy novel
By JenP
Who Fears Death is a speculative fiction novel with fantasy elements that deals with issues of race, ethnicity, and gender. It is set in a fictionalized version of a post-apocalyptic Sudan and centers around a young woman, Onyesonwu (Ibgo for “who fears death).

Onyesonwu is referred to as an Ewu due to her mixed blood. She is was a child conceived from a brutal rape. Her mother is a member of the dark-skinned Okeke tribe who is raped by a man from the light-skinned Nuru tribe. The Nuru and Okeke people have a long, violent, and complicated history. As Onyesonwu matures, she discovers her history and she learns that she has magical powers. Along with a group of friends, she embarks on a a quest to find and defeat her father who is responsible for inciting genocide against her mother’s people.

I had only heard of the author from her young adult work. This certainly wasn’t geared toward young adults with respect to it’s content (e.g., rape, genocide, graphic descriptions of female circumcision) but the style of writing seemed very much to fall in YA genre. The novel tackles gender and racial stereotypes through use of a very strong, complex, and mixed race female protagonist but at times I found it a little obvious with the character explicitly stating about how women can be heroes too. I don’t think this was necessary because her actions were enough to show her strength as a woman without needing to sprinkle in statements explicitly describing her strength. I think this was why I felt like it had a YA feel to me. However, I did think it was a very engaging read that tackled a number of complex issues.

The prose is wonderful. Okorafor’s style combines elements of African folklore with modern ones, creating a story that is strongly rooted in tradition while at the same time forward-thinking in a way that is reminiscent of science fiction writing.

The novel is very close to fantasy genre. There’s magic and sorcery but from a cultural perspective that is different from what we normally see in fantasy. How many epic fantasy novels can you think of that feature a woman of color as the hero? I highly recommend this book for people who enjoy fantasy novels that tackle issues of racial and gender identity.

3 of 3 people found the following review helpful.
Hero's Journey
By Amazon Customer
Classic hero's journey set in a future Africa with a wonderful, mystical and brutally violent story. Reading the author's Origin Story before I read the book helped me to understand where she was emotionally when she wrote it. That combined with the recent abduction of 200+ Nigerian school girls to be sold as "wive's" to Islamic rebels, made reading the book all the more raw and real for me. The truth is, we live in this world she describes now. As an African American with an African mother and a white Father, one of the main themes of the story struck uncomfortably close to home - it brought back memories of the brief time I lived in my mother's homeland of South Africa. Not embraced by my mother's tribe as I was considered my father's child, I felt that similar "outcast" sensation with my light skin and freckles.
At any rate, I finished this book in a day, plan to read everything else Nnedi has written, enjoy!

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• Published on: 2011
• Binding: Unknown Binding

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Here Comes Trouble: Stories from My Life [Audio CD], by Michael Moore PDF

Here Comes Trouble: Stories from My Life [Audio CD], by Michael Moore PDF

Here Comes Trouble: Stories from My Life [Audio CD], by Michael Moore PDF

Here Comes Trouble: Stories from My Life [Audio CD], by Michael Moore PDF

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